When you remove material from, say, a wheel, you reduce its weight and therefore the impact on the movement. But skeletonising a watch serves only one purpose: it looks stunning. But to make something look this remarkable isn’t easy. The calibre must maintain its structural integrity, and that requires incredible precision to make. There’s no hot glueing this one back together if a watchmaker makes a mistake. Even the rotor weight gets skeletonised. Thankfully it’s in gold, so what’s left still has enough mass to keep the watch wound for the full 72 hours.
With all 167 parts on show, each must be considered in its finish equally. There’s no rug to sweep them under, and so whether polished, brushed or frosted, they each gleam like tiny little jewels. Especially the jewels. And if you’re a budding watchmaker looking to learn the ropes of watchmaking, there’s no better watch to see how it all works. Oh, you want me to tell you? Here goes…
When the rotor spins, it walks those two little pawls either side of the wheel top left so no matter which way it goes, that movement can be captured in the mainspring, which then feeds that kinetic energy down along a waterfall of gears which speed up one after the other. Along the way, one of those gears, which turns once per hour, drives the minute hand, which in turn has another gear offset to slow the speed back down for the hour hand.
Meanwhile, at the bottom of that waterfall is the tourbillon, which makes one full rotation every minute — so the escapement within it is neutralised against gravity. Inside the tourbillon is where the magic happens, with three core parts, the balance, palette fork and escape wheel, acting like a mechanical capacitor to regulate the speed of the mainspring’s energy, the outcome six equally spaced ticks per second, every second. And breathe…